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1. #Harrison mixbus reviews pro
2. #Harrison mixbus reviews software
3. #Harrison mixbus reviews download
4. #Harrison mixbus reviews windows

It's not a precise engineering tool like Pro Tools, but it makes it easy to get a good sound with little effort. There are a lot of cool things about Mixbus.

The master fader also sports a brickwall limiter with look-ahead function. This is always inserted, and used sparingly can add some analogue feel, though at extreme settings it introduces pronounced distortion and dullness - much like real tape. The mix busses and the master fader also feature tape emulation. The built-in compressor and limiter are extremely good despite their simplicity, and are comparable to those found on real analogue consoles. Each channel, mix buss and master have a simple but very effective dynamics section, which can be set as a compressor, leveller or limiter. The remaining portion of the screen is available for scrolling through the user-definable tracks and busses. Curiously, the mix busses and the master fader do not scroll in the Mixer window, although mix busses can be hidden or shrunk. Mix buss channels and the master fader have a three-band stereo EQ with fixed frequencies, shelving low and high and bell midrange, which we found excellent for adding general colour.Įach of the eight mix busses has a corresponding post-fader send knob on every channel, which can be used for effect sends or for sub-mixing. This is a very musical EQ - the Q narrows with the gain increase - modelled on Harrison's heritage analogue consoles. Mono or stereo mixer channels and additional busses are user-definable and can be added without restriction to their number except for the available CPU power - our old Intel laptop managed to play 100 mono channels at 44.1KHz 24-bit with the CPU peaking around 95%, showing a very efficient use of the available resources.Įach channel features a three-band semi-parametric EQ with a high-pass filter. Each of these boasts an analogue-style VU-meter, which indicates the amount of tape saturation introduced by the adjacent control knob, and is a definite vibe-setter. The Mixer comes pre-loaded with one master fader and eight mix busses. It is apparent that the idea is to give the user an instant knob-per-function approach. The Mixer is just like a real console - it has embedded EQ, dynamics and sends. Only renaming the channel strip will affect the file name. One slightly confusing issue is with track grouping - the Editor and the Mixer run separate groups, and they cannot be copied across.Īlso, playlists can be named but the name doesn't translate to the audio files, which will still bear the track name.

There are playlists and layer management, and key- commands can be customised for those like ourselves who are happy with the same set for all DAWs. Track channels can be set in tape mode, making recording destructive when overlapping. This effectively turns Mixbus into a multi-track recorder if the system has sufficient I/O. Before starting, best to check that the system isn't recording at 32-bit floating point if you need PCM audio, as this is the factory default.Įach channel supports direct outputs, all configurable using JACK. Creating tracks sequentially defaults to the available physical inputs on the system. A collapsible sidebar deals with region management, tracks show/ hide and edit groups. we happily discovered that the Editor window can be expanded to full-screen without any framing, menu bars and transport controls, thus reclaiming an extra 15-20% of space for editing-intensive sessions. Transport and editing options are all laid out at the top of the page.

"It's hard not to like Mixbus - Harrison has done a great job with it - its few quirks are easily forgiven."Īudio tracks follow a conventional horizontal arrangement, and automation data of all controls and plug-ins is either superimposed or displayed as additional streams beneath each waveform. The Editor features the channel strip for the currently selected track on the left and timeline, markers, transport and editing options at the top of the screen.

#Harrison mixbus reviews windows

There are only two main windows - an Editor and a Mixer. Mixbus could be operated with a two-button mouse (a standard Apple Mighty Mouse just won't do - right- clicking is the only way to access essential pop-down menus), but a three-button mouse with scrollwheel is highly recommended.

#Harrison mixbus reviews software

Working with MixbusĪs first time users of Mixbus, we found the software fairly familiar to use. Linux users can also use LV2 plugs instead of the OS X-only AU. In OS X, Mixbus will scan and recognise AU and LADSPA plug-ins on the system. JACK must be installed first, as it provides the backbone for the DAW, and launching Mixbus will start it up. Linux users will need to source JACK separately, while OS X users will find it in the installer bundle. Only two files are supplied: an installer and an authorisation file.

#Harrison mixbus reviews download

At present, Mixbus can only be purchased as a download from Harrison's website.